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Linda Marric

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Adam Driver stars in 65.

Comment

65 review: Timing is a bit off in Adam Driver’s dinosaur thriller

Dr Alex Hoffman is launching VIXAL-4 to investors - an AI-driven system that exploits fear in the financial markets and operates at lightning speed to make big returns. The promise is billions, the rich are ready to get richer... but this is not the day Alex and Hugo had planned. What follows is a high-octane journey through the worst 24 hours of Alex???s life - cutting across reality, memory and paranoid fantasy, forcing him to question everything he sees with his own eyes. In the pulse of Geneva???s financial district, Alex???s sanity is shaken after he is viciously attacked at his home by a man who knows all of his security codes. After more unexplained occurrences, Alex becomes convinced he???s being framed. But as secrets surface from his past, will anyone believe that he isn???t just losing his mind? Detective Leclerc (Montel), assigned to Alex???s case, struggles to work this former CERN scientist out. Hoffman???s talented artist wife, Gabby (Farzad) might just be losing patience this time, whilst Hugo???s only concern is the billion-dollar business on the line. Invention can be lonely, and in a modern world of AI, capitalism and technological breakthroughs, Dr Alex Hoffman is about to learn the hard way how destructive his creation might be???

Humans

The Fear Index review: A psychological thriller with a dash of AI

Health

Settlers review: Powerful sci-fi movie evokes classic westerns

(Left to right) Shamier Anderson, Anna Kendrick, Daniel Dae Kim and Toni Collette in Stowaway

Space

Stowaway review: A claustrophobic and philosophical space thriller

Humans

Silk Road review: The true story of the dark web’s illegal drug market

Gerard Butler stars in Greenland

Environment

Greenland review: A great comet disaster movie on Amazon Prime

George Clooney as Augustine and Caoilinn Springall as Iris

Environment

The Midnight Sky review: George Clooney in a moving sci-fi drama

Technology

Possessor review: One of the best and smartest films of the decade