Renan Ozturk, Drew Pulley, Taylor Rees

Disney+

THOSE of you who have seen the astounding National Geographic documentary Free Solo will know just how mesmerising it can be to watch a professional climber scale the side of a mountain.

A new documentary, Explorer: The Last Tepui, shares a lot with Free Solo, which won the 2019 Academy Award for Best Documentary Feature. Not only does it also star rock climber Alex Honnold, it shows him dangling off the side of a mountain in precarious positions that will make your stomach drop in terror.

While his athletic feats are astounding, Honnold isn’t the most captivating character in the film. That honour goes to , who has spent his academic career finding and cataloguing new species throughout South America to prove to the world and its governments that the area is a biodiversity hotspot to be protected at all costs.

In Explorer: The Last Tepui, the 80-year-old ecologist and conservationist is intent on climbing the 300-plus metres to the peak of a remote table-top mountain, or tepui, deep in Guyana’s Amazon rainforest.

Means, Honnold, expedition leader Mark Synnott and a world-class team of climbers have to hike 56 kilometres over 10 days across increasingly treacherous terrain to reach the base of the tepui. This is a very big deal because Means has problems just bending his knees.

Once at the tepui, team members plan to climb to the top and then pull Means up, which will allow him to explore the cliff wall for novel animal and plant species.

Directors , Renan Ozturk and Drew Pulley do a superb job of setting up the aim of the expedition, as well as the myriad difficulties that could blight it. Fully aware of the extraordinary visuals and fascinating characters that they have at their disposal, they take a step back and allow the majesty of the rainforest to take over, while giving the highly intelligent and passionate specialists room to describe what makes it so special.

Some of the shots that Matthew Irving, director of photography, captures are awe-inspiring, and the directors also provide plenty of long, lingering views of mountains, creatures, streams and waterfalls, which allow viewers to soak up the natural beauty, listen to the sounds of the animals and get lost in the frame.

What makes the documentary so riveting is Means’s detailed explanations as he walks with the team through the forest, which is dense with trees and vegetation. The ecologist’s positive and self-deprecating nature makes him instantly likeable, while his endless knowledge and devotion to nature and science are so contagious that they will make viewers of all ages appreciate the diversity of our environment.

His efforts are made all the more valiant by his admission that if he makes it to the summit, it will be the culmination of his life’s work. Unsurprisingly, because of the unforgiving terrain they must cross to reach the tepui, various major obstacles soon get in the way of the party. Means’s strain at holding up the expedition because of his age and health doesn’t just make him more lovable, it injects real suspense into the documentary, which will debut on Disney+ on 22 April for Earth Day.

The constantly changing viewpoints and potentially life-threatening issues ensure that Explorer: The Last Tepui remains compelling to the very last frame. Even though it is just 54 minutes long, you will still feel utterly exhausted, as well as inspired, by the time it is over.

Jean-Pierre Jeunet

Netflix

Michael Pearce

UK cinemas, Amazon Prime

ENCOUNTER brings together three of the most exciting stars in the British film industry: director Michael Pearce, whose debut feature Beast was critically acclaimed on its release in 2017, screenwriter Joe Barton, who created the equally lauded Giri/Haji, and Riz Ahmed, whose performances in Four Lions, The Night Of and Sound Of Metal secured his status as one of the UK’s best actors.

For the first half of Encounter, their talents complement each other perfectly. Ahmed stars as Malik Khan, an ex-soldier on a mission to rescue his two young children Jay (Lucian-River Chauhan) and Bobby (Aditya Geddada) when the world comes under attack from an extraterrestrial invasion that is made more terrifying by the fact that the aliens come in the form of parasitic microorganisms that first infect insects, then move on to tackle humans.

Encounter begins by immediately establishing the seriousness of the extraterrestrial threat. Before the title sequence even hits the screen, we see the aliens arrive on Earth, attack insects and then quickly explode in numbers. Pearce shoots this sequence with a detail that is simple to follow yet sinister and creepy. So much so that the subsequent shots of insects will make your skin crawl.

The action ratchets up further when Malik’s ex-wife Piya (Janina Gavankar), who doesn’t see the rescue in quite the same light, informs the authorities that her children have been kidnapped. Special agents Shepard (Rory Cochrane) and Hattie (Octavia Spencer) are put on the case and set off in pursuit across the mountains and deserts of California and Nevada.

At this early stage of the film, it is a blast, successfully towing the line between a riveting sci-fi drama and a road-trip movie.

Ahmed commands the screen instantly, giving Malik a toughness and intensity that emerge gradually as the story progresses. The young actors who play his sons are just as impressive, but for very different reasons. It won’t take long for audiences to be charmed by Geddada, who brings a much needed levity and heart to the film. Chauhan becomes more confident as time goes on, displaying an impressive maturity and strength of character. Pearce gives Malik, Jay and Bobby the space to build a genuinely touching connection.

“Ahmed commands the screen, giving Malik a toughness and intensity as the story progresses”

With all this going on amid the beauty and desolation of the Californian mountains, it is impossible not to be drawn into the story. Barton’s economical and believable script propels the film forwards, while providing just enough backstory on the alien attack to keep audiences intrigued. The soundtrack, too, subtly makes the alien creatures feel present and menacing, without ever allowing the sound of their advancement to get in the way of the scene-building and storytelling.

Then, just when Encounter is really getting under way, Pearce hits us with a seismic shift in direction. While potentially a deliberate ploy to surprise the audience and keep us engaged, it doesn’t quite work. Instead, it disrupts what was building into a beautiful and unnervingly atmospheric experience and throws us for a loop. For a good 10 minutes after this turn, it feels as if the story is thrashing around. It is unnerving to say the least.

Despite this unexpected shift in perspective, the narrative isn’t entirely derailed. It soon finds its footing again, and Ahmed’s continually powerful performance ensures that Encounter remains intriguing all the way to its finale. Chauhan, alongside him, does a great job at keeping the intensity high.

On the other hand, anyone who was enjoying the sci-fi-cum-road-trip experience may find themselves less invested in the more intimate and psychological character study that Encounter becomes. Ultimately, by the time the credits roll, it feels like two separate movies that have been jammed together to form an uneven psychological sci-fi thriller that, while good, could have been so much more.