èƵ

Sci-fi thriller Dissolution smartly interweaves time travel and memory

In his new novel Dissolution, Nicholas Binge plays with time travel and memory to craft a thriller reminiscent of Memento and Inception. It is well-deserving of its upcoming big screen treatment, says Emily H. Wilson
Couple waiting at airport Description Couple sitting, waiting at the airport behind small squared glass wall, evoking a mirage, memory and dreams in blue and grey tones. Zurich, Switzerland. 2009
Time travel stories often trap characters in loops for our enjoyment
Virgilio Ferreira/Millennium Images, UK

Dissolution
(Nicholas Binge (UK, 27 March); (US, 25 March))

Time travel is, of course, a staple of science fiction. The means of travelling through time may differ – from a 1960s police box to a set of ancient standing stones – but time shifting generally leads to all kinds of problems with “timelines” and important things being erased from or added to them. Our heroes can also get stuck in loops, doomed to repeat themselves endlessly for our pleasure unless they can work out how to escape. Think Groundhog Day, Palm Springs, Edge of Tomorrow and so on.

Memory problems are another great sci-fi standby. Why can’t our hero remember anything? It is an instant mystery. Or perhaps they have selective memory gaps. Even more mysterious. Then there is the added benefit of reducing the hero to the same information level as the reader. Exposition can be extremely tedious when you are the only one in the dark, but very welcome when the hero has no idea what is happening either. Playing with amnesia storylines can also serve up big questions about what is left if we forget who we are and what we have done.

In Dissolution, Nicholas Binge cleverly weaves together time travel and memory games into a hard-to-put-down thriller. It’s an expertly crafted puzzle of a story that reminded me of the films Memento and Inception, so I can see why the book is already being adapted for the big screen.

Memory problems are another sci-fi standby...they reduce the hero to the same information level as the reader

In Dissolution, our hero is, quite refreshingly, an elderly woman. Maggie’s situation at first seems ordinary. Her only child doesn’t speak to her and her husband Stanley is in a care home and has started to forget who she is. She is terribly lonely, but she slogs on. What else can she do?

Then a man, Hassan, turns up at her front door and claims that her husband is having his memories stolen. But we only learn this from a transcript of Hassan interviewing Maggie under bafflingly strange circumstances.

This is an ornately constructed book, full to the brim with plot and consisting of lengthy interview transcripts of pure dialogue, mixed up with glimpses into the past. In lesser hands, all this would be leaden and lumpish, but Binge is an excellent writer and more than up to the challenge of laying out the puzzle pieces for us. I won’t say more about the plot for fear of ruining it, but if you like mysteries involving memory loss and time travel, this one is for you.

This brings me to another (very different) book about memory that is also out this month.

, by the talented Olivia Waite, is a novella, and I am generally enraged by novellas. What is the point of a book that ends just as you are getting into it? However, if 100 pages is your ideal length and you also like the idea of cosy crime set on an interstellar starship, then this is definitely one for you.

The (delightful) hero is ship’s detective Dorothy Gentleman, who wakes up in a body that isn’t her own to find that someone has not only killed people on board, but is also destroying their stored memories, which means the victims are actually, really, murdered. Once she is sure that her own memories have been made safe, Dorothy sets out to track down the dastardly murderer.

The book is the first instalment in a new series, so perhaps at some point the stories will be collected into omnibus form (as has just happened with Martha Wells’s The Murderbot Diaries) to stop people like me whining about how short they are.

Emily also recommends…


Doug Liman
Streaming on various platforms
A war against alien invaders is raging. Every time our hero, played by Tom Cruise, is killed, he wakes up alive… only to find himself shipped out to face the aliens once more. This is a superb example of a Groundhog Day-style time-loop story, and I don’t know why it isn’t more beloved. Plus, you get Emily Blunt as the ultimate alien hunter.

Emily H. Wilson is a former editor of èƵ and the author of the Sumerians trilogy, set in ancient Mesopotamia. The second book in the series, Gilgamesh, is out now. You can find her at emilyhwilson.com, or follow her on X @emilyhwilson and Instagram @emilyhwilson1

The art and science of writing science fiction

Take your science fiction writing into a new dimension during this weekend devoted to building new worlds and new works of art

Topics: Book review / Memory / Science fiction / Time