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AI art critic can predict which emotions a painting will evoke

An AI can guess how a person will feel when viewing art and write a caption that passes as human-sounding 50 per cent of the time
“The blue and white colors of this paintings make me feel like I am looking at a dream,” says the AI art critic of The Starry Night by Vincent van Gogh
Google Cultural Institute/Public Domain

Monet’s paintings of gardens can make a viewer feel content, while Dali’s melting clocks elicit fear or confusion. Now, an AI art critic can predict the emotions famous paintings will evoke and often explain them as convincingly as a human.

AI image analysis often focuses on describing what is going on in pictures, but the subjective feelings that works of art arouse have just as big an effect on human behaviour, says Panos Achlioptas at Stanford University in California. “The way we understand and interpret our world involves a lot of emotional reactions,” he says.

Being able to predict and even emulate these responses could help machines interact with us more seamlessly, says Achlioptas, so his team built a massive data set of human reactions to art using online surveys.

They asked more than 6000 participants to choose the dominant emotion elicited by 81,000 paintings in and write a caption describing what it was about the artwork that guided their decision, with each painting analysed by at least five people. The images, emotion labels and captions were used to train an AI, which was then challenged to predict what emotion paintings it hadn’t seen before would evoke and provide short explanations.

Judging the output is inherently difficult, says Achlioptas, because there is no right answer. A majority of annotators agreed on the dominant emotion in just 45 per cent of paintings. So the researchers carried out a form of Turing Test by showing human evaluators a painting alongside a caption from the AI and one from an annotator, and asked them to guess which was written by a human. The AI’s captions passed as human 50 per cent of the time.

Achlioptas admits the AI’s captions aren’t as diverse or creative as human ones, but says the early results are promising and the data has been made open source so others can improve on the models.

“It should come as no surprise that with a sufficiently large amount of appropriate data and certain deep learning trickery, a model could be trained to generate decent captions with emotional content,” says Simon Colton at Queen Mary University of London, who wasn’t involved in the work.

But the new data set is an important contribution to the field, he adds. An exciting prospect could be to use the data to train creative AI that generates visual art so it can better convey particular feelings, he says.

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Topics: Art / Artificial intelligence