
As a child, what did you want to do when you grew up?
I wrote my first science book when I was 5. I decided the world needed to know about horses and that, as I had once seen a horse in real life, I was uniquely qualified to write about them.
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Your book is about why AI is making the world weirder. What do you mean?
AIs sometimes do things that reveal how very different they are from human-level intelligences, like when they delete a list of numbers instead of sorting it because their job was technically to eliminate sorting errors. Or when they mistake a photo of a house for a photo of a giraffe. Because a lot of science fiction AIs are humanlike, we tend to forget that what we have today is a lot simpler. It doesn’t have the understanding that we have, so it’ll do weird things.
You are known for giving AIs unusual things to learn about, with amusing results. Can you give us an example?
One of my favourite experiments is to have AIs try to imitate recipes. They’ll get the overall title-ingredients-directions format correct, but they tend to lose track of what the ingredients are, or they’ll ask for things like chopped flour and peeled rosemary and shredded bourbon. It becomes pretty clear that they don’t understand that the recipe refers to things that you do to real ingredients.
“When AIs try to imitate recipes, they will ask for things like chopped flour and peeled rosemary”
Has your field of study changed in the time you have been working in it?
One of the tricky things about writing a book on the state of today’s AI is how quickly things are changing. When I started writing the book in 2017, state-of-the-art algorithms could barely generate complete sentences. Now, they’re generating readable articles, even if the articles don’t make much sense. I had to stick to what’s been true about AI for a long time.
What achievement are you most proud of?
I’m always proud when people read my work and say they’re no longer afraid of an AI takeover. I’m also tickled when people say they laughed so hard they made people stare.
What scientific development do you hope to see in your lifetime?
I’m really looking forward to the first major film to use AI-generated imagery. AIs tend to generate pictures that have lushly realistic textures but completely weird geometry, so you’ll get melting clocks with multiple hands and illegible writing, or cars with lots of mismatched wheels. As AI tools get more powerful and easier to use, I’m excited to see what artists will do with them.
Do you have an unexpected hobby, and if so, please will you tell us about it?
I play the Irish flute, and it was interesting to look at some of the Irish tunes generated with AI. Some are weird but others could have been written by humans. Yet nobody plays the AI music, and I think that’s because the point is the history of the tunes and their social context. It’s a glimpse of the role AI-generated music will have in the future. It might be useful for background music, but it won’t replace the music we listen to.
You say AIs tend to spot a lot of giraffes in pictures. What’s that about?
People take way more pictures of giraffes than they do of boring rocks or bushes. As a result, AIs seem to have learned that giraffes are everywhere. If they’re not sure what’s in a picture – and they do get confused a lot – they’ll often guess “giraffe”.
What’s the best thing you’ve read or seen in the past 12 months?
I really enjoyed Exhalation, Ted Chiang’s latest collection of science fiction stories. There’s a story in there, “The Lifecycle of Software Objects”, that explores the moral dilemmas around creating – and therefore being responsible for – sentient AI.
How useful will your skills be after the apocalypse?
I don’t have many build-it-from-sticks-and-stones kinds of skills. But at least people will always need music and stories.
OK, one last thing: tell us something that will blow our minds…
Someone once trained a neural net to place bets on horse races. Its winning strategy? To place zero bets.