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When concrete boxes were for healthy living

In the 1850s, US phrenologist Orson Fowler started a trend for octagonal "grout" houses that briefly changed the way people thought about home

These days, hoteliers take a dim view of guests who smash up their rooms. But in 1850, as Orson Fowler travelled through Milton, Wisconsin, he stayed at the newly built Milton House inn, whose proprietor delighted in inviting guests to take a sledgehammer to the walls for 6 cents a swing. Intrigued, Fowler hefted a hammer and swung hard. It bounced harmlessly off the wall. The inn, it turned out, was built of concrete. This, Fowler decided, was the perfect material for the prototype house of the future that he was building back home: to his mind, modern housing should be both cheap and indestructible. The most important of all, however, was a home’s shape. For Fowler, only one shape guaranteed a better way of living – the octagon.

ORSON FOWLER had curious credentials for an architectural visionary: namely, he had no training whatsoever. In the 1840s, Fowler was the man who brought the “science” of phrenology to the American masses. Phrenologists believed that the lumps and bumps on the skull reflected the development – or otherwise – of parts of the brain responsible for particular abilities and personality traits. “The skull yields and shrinks in accordance with the increase and diminution of the brain within,” explained Fowler. With a skull reading and a suitable course of self-improvement, patients could remould their heads by addressing their weaknesses and building on their strengths.

From his headquarters in Manhattan, Fowler published innumerable books and newspapers denouncing such evils as tight corsets, tobacco and corporal punishment, and advocating free love and vegetarianism – all to get your head in shape. By 1848, tens of thousands of subscribers were primed for the latest round of self-improving reforms, yet none would have guessed what was to come.

If the housing of our minds could be reformed, Fowler reasoned, why not also reform the housing of our bodies? Having recently bought himself a tract of land in Fishkill, New York, the question was not an idle one for Fowler. He needed a new house, but the fashion for Greek Revival homes struck him as stuffy, unhealthy and suitable only for a “granny’s tea-intoxicated nerves”.

“In looking about for some general plan, I said to myself, ‘Why not take our pattern from NATURE? Her forms are mostly SPHERICAL’,” he wrote in his book A Home for All. “She has ten thousand globular or cylindrical forms to one square one… Why not, then, adopt this spherical form for houses?” Octagons, he argued, were the roundest practicable design for most builders. He produced pages of calculations showing that octagons enclosed a larger area than a square or a rectangle with the same length of wall, while presenting more frontage to health-giving sunlight.

Fowler was hardly the first to discover the octagon’s curious charm. According to legend, Jan de Groot’s house, which once stood at the northernmost tip of Scotland, had eight sides, eight doors and an eight-sided table, supposedly to avoid claims of favouritism by members of the quarrelsome family who lived there. More practically, Christie’s London auction house featured an octagonal room to avoid the shadows and awkward viewing of right-angled galleries. In the US, Thomas Jefferson had been so delighted with the shape that he even designed octagonal privies on his estate.

But eight-sided homes were rare, and so Fowler trumpeted the novel construction of his futuristic home: “This is no fancy theory, but an EXPERIMENTAL REALITY.” He crammed in an astonishing number of innovations. He used glass wherever possible, and eschewed fireplaces for a wood-burning central heating system in the basement. French doors and verandas wrapped around every floor, and a central glass cupola let in both light and cross-breezes. Radically, the kitchen moved out of the servants’ realm to become part of the family home. Odd corners formed by the octagon were enclosed to create built-in cupboards, then a novelty. Folding internal walls allowed entire floors to be rearranged. Most daringly, Fowler declared the end of the privy: his design featured indoor bathrooms with cisterns to provide hot and cold running water, as well as flushing toilets.

When A Home For All appeared in 1848, it promised “A house better than the castles of princes, in every respect! Every way calculated for an earthly paradise!” By now work on Fowler’s own octagonal castle was well under way. Then, while Fowler was away promoting the book, he sent word to stop work. During his stay in Milton, Wisconsin, he had discovered a wondrous new building material that would improve his earthly paradise still further – what he called “grout”, a crude early form of concrete. By the time the second edition of his book came out, the concrete octagon that the people of Fishkill called Fowler’s Folly was finished.

When fellow reformers such as newspaperman and politician Horace Greeley, and Amelia Bloomer – of bloomers fame – came to admire his four-storey Xanadu and wander round its 60 rooms, they found it boasted everything from a gymnasium to a “prophet’s room” on the top floor. Thanks to the folding walls, the dining room could expand to seat 100 guests. With its concrete-and-glass construction, large open spaces, indoor plumbing and central heating, Fowler could gaze out from his prophet’s room, knowing he really had built the home of the future.

The public agreed. In the 1850s, Fowler’s floor plans were widely reproduced, and octagons sprang up across the country. Nicknamed “bandbox” or “inkwell” homes, about in the second half of the 19th century, mainly in the American north-east and the Midwest. Some eminent figures cast their lot with eight-sided living: showman P. T. Barnum had an octagonal home built in Bridgeport, Connecticut, and Mark Twain’s octagonal writing retreat proved so felicitous that he wrote of the adventures of Tom Sawyer and Huckleberry Finn there.

“In the 1850s, octagonal ‘inkwell’ homes sprang up across the country”

Other octagons went decidedly pear-shaped, however. Among the innumerable schemes begun by Fowler’s followers was Octagon City, a utopian settlement in Kansas where vegetarians would live in octagonal homes built on octagonal plots. Scores of settlers were lured out to the prairie in 1858 with the promise of hydropathic spas, fine schools and concert halls. What they found was a single log cabin – and it was square. The colony quickly collapsed.

Things were scarcely better back in Fishkill. After losing money in , Fowler was forced to rent his home to boarders. But its concrete cisterns and cesspools did not prove quite as impermeable as Fowler had expected. Sewage seeped into the water supply, and the healthiest home in America turned deadly when an outbreak of typhoid killed one tenant after another.

The octagon fad itself soon grew rather sickly. While Fowler’s modern conveniences proved remarkably prescient, the octagon shape itself was nowhere near as practical as he had claimed. Furniture fit uneasily into the oddly shaped corners, while interior walls met exterior walls at eccentric angles. Many octagonal houses were later retrofitted with rectangular kitchen extensions; long-suffering Victorian wives were perhaps less enamoured with Fowler’s ingenuity than their husbands were.

Today, . Watertown, Wisconsin, and Natchez, Mississippi, boast particularly fine examples, as does Gough Street in San Francisco (pictured). Many are still lived in, though one owner recently recalled how in the 1950s the fad for roller skating saw local skaters using his circular verandas as an impromptu roller rink.

Fowler’s Folly proved less enduring. After the typhoid outbreak, the home ran through a succession of colourful owners. Cuban revolutionary Andrés Cassard used it in the 1860s to house a “Cuban Institute and Military Academy”. Later, one Emma Cunningham ran it as a boarding house, until she was misidentified as an infamous jilted lover of the same name who had stabbed her dentist beau to death with his own instruments. Her boarders fled and the house went up for sale again. By 1880, it had been abandoned, though Fowler himself was once spotted paying a surreptitious visit to his former dream home, and climbing around the structure “like a cat”. But there was no going back. He had long been widowed and when he remarried and built a new home outside Boston, it looked just like everyone else’s.

His folly passed through the hands of many an absentee owner before selling one last time for a paltry $800. Local teenagers hung out in the abandoned building, but no family wanted to live there and when the roof began to give way, the town declared it a hazard. In August 1897, the future of American housing was demolished. Fowler’s concrete walls lived up to their billing to the last: it took multiple charges of dynamite to finally undo his folly.

Topics: History

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